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Sound made visible. (Another World - Chemical Brothers)

Rotterdam Blitz

1940, 14th May, Rotterdam was destroyed by a Luftwaffe air raid. Today was the 70th anniversary. Several solemn events were held across the city centre, in symbolic places that used to be the very heart of the city that disappeared. At night, once again the ceremonies were closed with testimonials, music, poems and a light installation. All of this is quite dense, but as it ends you get the feeling. This year the light installation was somehow humble. A set of spotlights around the sculpture by Ossip Zadkine “De Verwoeste Stad” (The Destroyed City), creating a crown of light pointing at one single point just above the head of the disfigured bronze man. As the music went by that confluence point was lifted and slowly all the spotlights were pointing towards the zenith just above the sculpture. An enormous body of light that no one can touch but it’s there, sublime, volatile, just like the memory. This year’s essay on this historic event was called “a distant echo”. Somehow that was what one could hear, an echo of something gone away, that you barely notice. Going around the city, looking towards those rays of light, what you could see was silence, an enormous silence on a dark starry sky. But that silence, if you want to, is full of groans and roars. That’s what this land was left with that day. And that is overwhelming. And that is the way it must be.

On my way back home, the city centre was crowded. Cars were speeding along the streets. Girls seemed lost and a boy prompted to help. Flocks of youngsters were rushing across the pavements, talking loudly. Blinking lights everywhere like fires burning in the air. All that people set in emergency mode. But there is no emergency, that’s just the way we rush from a point to no point. The cars were probably going nowhere important, speeding for any reason at all. The girls just wanted to know where some party was and the boy only helped them because they were dressing nastily. The flocks of youngsters were in a hurry because they wanted to go to some club before midnight so that they wouldn’t pay the entrance, and they were loudly talking trash and groaning at the girls. And the lights were blinking, as music was being pumped into the air. That’s the groove of Friday night in Rotterdam. And this is a night worth commemorating. But none of them were commemorating the fact that we actually have a city around us again. Where we go today is only there and only looks like how it looks because of that day in 1940. But man, a Friday night party is just a Friday night party. And all the emergency is just the same flow as in any other Friday night, repeated ad nauseam, for the simple purpose of no purpose. And that’s the way it is.

I couldn’t help but remember what someone once said about the cycle of generations. There was that generation that destroyed what people had taken for granted. Then there had to come a generation to create things back again. The ones that came next took advantage of what the previous had done. And I wonder if aren’t we living in the transition to the generation that will destroy everything again. The entire perfectly shaped world we have been taught that would be here forever. And there is no light installation pointing towards the zenith, evoking infinity that can prevent what eventually might be coming. Historical memory seems to be fragile. The importance of remembering is a grimace in our faces. We are the ones that don’t know what day was today, but live in Rotterdam for years and yet ask what was then bombed 70 years ago. We are the ones that say oh the statue of Zadkine, because it has the shape of a man and as it is signed by the sculptor with big letters, then it might be a representation of Zadkine himself. The destroyed city is a forgotten concept by this time. And like the echo, what some felt in flesh and bone and blood and tears cannot and probably won’t be remembered ad eaternum. And apparently that’s the way it will always be.

In memoriam. 

In memoriam. 

Anno 2006. In a rush I tried to finally finish this canvas. The painting works started two years before. I was afraid to let it go. Such as old cathedrals it took a long time to be done, so it may be referred to as the monument. It was a challenge to my patience, I always felt too tired to paint more than two patches a day. If it was at the time of the cathedrals I wonder if it wouldn’t have been the beginning of something great. But we were at the time of computers and mass media so I was probably beginning to play some other strategy game…  
Talking to a friend, he reminded me of this canvas. He probably had some blured notion on his mind about it. But it was funny he mentioned it. I named this canvas Golden Gate, and in honor of his city San Francisco, here it is. 

Anno 2006. In a rush I tried to finally finish this canvas. The painting works started two years before. I was afraid to let it go. Such as old cathedrals it took a long time to be done, so it may be referred to as the monument. It was a challenge to my patience, I always felt too tired to paint more than two patches a day. If it was at the time of the cathedrals I wonder if it wouldn’t have been the beginning of something great. But we were at the time of computers and mass media so I was probably beginning to play some other strategy game…  

Talking to a friend, he reminded me of this canvas. He probably had some blured notion on his mind about it. But it was funny he mentioned it. I named this canvas Golden Gate, and in honor of his city San Francisco, here it is. 

And now for something completely different.

And now for something completely different.

Imagine something as impossible as a clearly blured landcape. An increadible collage. What if Mies, Kahn, Gehry, Calatrava and so on would be merged into one great masterpiece? Then it really sounds like infinity. The world together as one. Man!

I would like to dedicate this one to all those with blured mindscapes (let’s say… specially in some places in Europe), that tend not to stop and think how it would be if the times when you were not free to think would come back and tend to wish for it.     

IKEA changing rooms at Metro Paris.

IKEA changing rooms at Metro Paris.

Zaha’s Pantalone
Usually I pass, close the tab or turn the page. I tend to get dizzy to boredom with this projects. This time it caught my eye. Near Venice, Zaha and gli amici went Comedia dell’arte and designed Jesolo Magica. And funny funny they chose the old venitian tradesman Pantalone with his big nose like a beak and furred eyes. The complex is actually a retail and leisure centre. The concepts seem to match. Even because the building seems a bit scary and so does the character. Well thought signore Matteuzzi. 

Zaha’s Pantalone

Usually I pass, close the tab or turn the page. I tend to get dizzy to boredom with this projects. This time it caught my eye. Near Venice, Zaha and gli amici went Comedia dell’arte and designed Jesolo Magica. And funny funny they chose the old venitian tradesman Pantalone with his big nose like a beak and furred eyes. The complex is actually a retail and leisure centre. The concepts seem to match. Even because the building seems a bit scary and so does the character. Well thought signore Matteuzzi. 

Sound made visible. (Another World - Chemical Brothers)

Rotterdam Blitz

1940, 14th May, Rotterdam was destroyed by a Luftwaffe air raid. Today was the 70th anniversary. Several solemn events were held across the city centre, in symbolic places that used to be the very heart of the city that disappeared. At night, once again the ceremonies were closed with testimonials, music, poems and a light installation. All of this is quite dense, but as it ends you get the feeling. This year the light installation was somehow humble. A set of spotlights around the sculpture by Ossip Zadkine “De Verwoeste Stad” (The Destroyed City), creating a crown of light pointing at one single point just above the head of the disfigured bronze man. As the music went by that confluence point was lifted and slowly all the spotlights were pointing towards the zenith just above the sculpture. An enormous body of light that no one can touch but it’s there, sublime, volatile, just like the memory. This year’s essay on this historic event was called “a distant echo”. Somehow that was what one could hear, an echo of something gone away, that you barely notice. Going around the city, looking towards those rays of light, what you could see was silence, an enormous silence on a dark starry sky. But that silence, if you want to, is full of groans and roars. That’s what this land was left with that day. And that is overwhelming. And that is the way it must be.

On my way back home, the city centre was crowded. Cars were speeding along the streets. Girls seemed lost and a boy prompted to help. Flocks of youngsters were rushing across the pavements, talking loudly. Blinking lights everywhere like fires burning in the air. All that people set in emergency mode. But there is no emergency, that’s just the way we rush from a point to no point. The cars were probably going nowhere important, speeding for any reason at all. The girls just wanted to know where some party was and the boy only helped them because they were dressing nastily. The flocks of youngsters were in a hurry because they wanted to go to some club before midnight so that they wouldn’t pay the entrance, and they were loudly talking trash and groaning at the girls. And the lights were blinking, as music was being pumped into the air. That’s the groove of Friday night in Rotterdam. And this is a night worth commemorating. But none of them were commemorating the fact that we actually have a city around us again. Where we go today is only there and only looks like how it looks because of that day in 1940. But man, a Friday night party is just a Friday night party. And all the emergency is just the same flow as in any other Friday night, repeated ad nauseam, for the simple purpose of no purpose. And that’s the way it is.

I couldn’t help but remember what someone once said about the cycle of generations. There was that generation that destroyed what people had taken for granted. Then there had to come a generation to create things back again. The ones that came next took advantage of what the previous had done. And I wonder if aren’t we living in the transition to the generation that will destroy everything again. The entire perfectly shaped world we have been taught that would be here forever. And there is no light installation pointing towards the zenith, evoking infinity that can prevent what eventually might be coming. Historical memory seems to be fragile. The importance of remembering is a grimace in our faces. We are the ones that don’t know what day was today, but live in Rotterdam for years and yet ask what was then bombed 70 years ago. We are the ones that say oh the statue of Zadkine, because it has the shape of a man and as it is signed by the sculptor with big letters, then it might be a representation of Zadkine himself. The destroyed city is a forgotten concept by this time. And like the echo, what some felt in flesh and bone and blood and tears cannot and probably won’t be remembered ad eaternum. And apparently that’s the way it will always be.

In memoriam. 

In memoriam. 

Anno 2006. In a rush I tried to finally finish this canvas. The painting works started two years before. I was afraid to let it go. Such as old cathedrals it took a long time to be done, so it may be referred to as the monument. It was a challenge to my patience, I always felt too tired to paint more than two patches a day. If it was at the time of the cathedrals I wonder if it wouldn’t have been the beginning of something great. But we were at the time of computers and mass media so I was probably beginning to play some other strategy game…  
Talking to a friend, he reminded me of this canvas. He probably had some blured notion on his mind about it. But it was funny he mentioned it. I named this canvas Golden Gate, and in honor of his city San Francisco, here it is. 

Anno 2006. In a rush I tried to finally finish this canvas. The painting works started two years before. I was afraid to let it go. Such as old cathedrals it took a long time to be done, so it may be referred to as the monument. It was a challenge to my patience, I always felt too tired to paint more than two patches a day. If it was at the time of the cathedrals I wonder if it wouldn’t have been the beginning of something great. But we were at the time of computers and mass media so I was probably beginning to play some other strategy game…  

Talking to a friend, he reminded me of this canvas. He probably had some blured notion on his mind about it. But it was funny he mentioned it. I named this canvas Golden Gate, and in honor of his city San Francisco, here it is. 

And now for something completely different.

And now for something completely different.

Imagine something as impossible as a clearly blured landcape. An increadible collage. What if Mies, Kahn, Gehry, Calatrava and so on would be merged into one great masterpiece? Then it really sounds like infinity. The world together as one. Man!

I would like to dedicate this one to all those with blured mindscapes (let’s say… specially in some places in Europe), that tend not to stop and think how it would be if the times when you were not free to think would come back and tend to wish for it.     

IKEA changing rooms at Metro Paris.

IKEA changing rooms at Metro Paris.

Zaha’s Pantalone
Usually I pass, close the tab or turn the page. I tend to get dizzy to boredom with this projects. This time it caught my eye. Near Venice, Zaha and gli amici went Comedia dell’arte and designed Jesolo Magica. And funny funny they chose the old venitian tradesman Pantalone with his big nose like a beak and furred eyes. The complex is actually a retail and leisure centre. The concepts seem to match. Even because the building seems a bit scary and so does the character. Well thought signore Matteuzzi. 

Zaha’s Pantalone

Usually I pass, close the tab or turn the page. I tend to get dizzy to boredom with this projects. This time it caught my eye. Near Venice, Zaha and gli amici went Comedia dell’arte and designed Jesolo Magica. And funny funny they chose the old venitian tradesman Pantalone with his big nose like a beak and furred eyes. The complex is actually a retail and leisure centre. The concepts seem to match. Even because the building seems a bit scary and so does the character. Well thought signore Matteuzzi. 

Rotterdam Blitz

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